photo by Ali Hamad/APA

When the genocide began I started writing daily notes. The notes, many of them handwritten in various notebooks,  were disconnected lines, images, stories I’d read or heard. Some of them evolved into poems, included in this collection; but it wasn’t until Day 167 that — having heard about a mother who was able to save one of her children but not the others, and a doctor who was saving the amputated limbs of wounded children, putting the limbs into boxes labeled with their names —  I felt the urgency to document these tragedies in a whole poem every day, and that is what I will do until the genocide ends.
I intend to keep writing until the ceasefire is permanent — until Palestine is free.

Nora Barrows-Friedman Nora Barrows-Friedman

Day 200

The waves mount and break
on the shore.  Mount, crest, and break.
One day we will walk together
on the beach in Gaza.
We will sit in cafés that will be rebuilt.
We will talk of poets, of those whose words
surged, gathered force, poured
over the land like the waves
coming in continually from the sea, 
which nothing — not their bombs, 
not their viciousness, not
the snide laughter that covers their lying —
can stop.  

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 199

My sorrow is so wide I cannot cross to the other bank.
So deep the full moon drifts back and forth
on its surface but cannot touch the silty bottom.
A baby taken by Caesarian from her dead mother.
Who will care for her?  Decaying bodies
of children in the ruins of a hospital.
Do not look for the angel of mercy; she is tending 
the unfound, the unburied. Once, in Borgo San Sepolcro,
I stood for hours in front of Pier della Francesca’s
Madonna della Misericordia:  her broad skirt
sheltering the poor, the broken.  Come now, 
whatever you are that rains mercy down upon us
like the spray that rises from a river.
Give us some coolness, some gentleness.

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 198

In the tent camps, is the sound of moaning
heard over the sound of the drones?
And the sound of laughter?
What do you lose when you have nothing?
Whose shoes are those?  Whose bag of clothing?
A child comes crying to the medical tent.
He is wounded, his leg is bleeding, a flower
of blood is opening in his chest.  He is crying
for his bicycle: it was new, it was red.  It was fast.
Maybe it was the fastest bicycle in the world.
Maybe it could have taken the boy
far from the bombing, far from the endless lines
for food.  Maybe it could have taken him
into the sea, where he’d watch all the fears unstick,
drift away.  Strands of blood like ribbons, tributaries. 

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 197

The children are running through a meadow.
It’s an April afternoon, a birthday celebration.
They’re dancing, kicking a ball, playing freeze tag.
Often I am permitted to return to a meadow, Duncan wrote,
Though I remembered the Often for years 
As Sometimes, Sometimes I am permitted.
Sometimes I think what if these children
were in Gaza,
 the same children, and some of them
could be….The girl in the blue dress,
for instance:  her swing on the bat
stronger than the others’, her running, faster.
If she were there….Permitted.  What permission
Would she have?  What would she do
without those swift legs, which are running now
through the meadow, sunlight pouring
through the high unscathed branches of oaks?

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 196

The boy is trying to brush his teeth
but his right arm is gone.  He sets the toothbrush down
with his left hand, puts the tube of toothpaste
in his mouth, squeezes it onto the brush
by clenching his teeth.  Only months ago
he was throwing a ball on a street
in front of his house.  Only months ago
his mother, father, sisters were waiting for him
to come into the house for dinner.  His friends
ran through the street, chasing the ball,
catching it.  Now I will have to do it like this
forever,
he thinks.  His left hand 
holds the toothbrush, moves it steadily
across his teeth.

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 195

Eleven children killed in a playground.
They had been living in tents, they were hungry, 
bored.  Their parents sent them to the playground
to play.  I would have done the same.
They were still alive, they had to live.
The playground was still there.
They played, ran, shouted.  Play does not live far
under the skin of children; give it space,
it comes to the surface.  Sunny
April day.  A warmth in the air.  Eleven children.
Some of them siblings.  Parents who lost two. More.
Count their bodies.  Their colorful t-shirts
with words on them, stained with blood.

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 194

We were told our words would be enough, 
That they would unlock gates, place stone upon stone.
We believed they could make a garden.  Feed the children.
(I reach for the latch.  I switch on a lamp.  My hand
touches the rough skin of avocado, smoothness of mango.)
I hold my friend’s infant, feel how we are made
of salt and memory. How our voices strike fire.
or they are silenced.  Once I stood with a man 
in the ruins of the house
he had lived in as a child.  Some tiles remained, 
the outlines of rooms.  So tenderly he fingered
one broken tile, pressed it to his face, took in its smell,
its coolness.  Years held by that shard.

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 193

You must live / to tell my story.  I am afraid
I am not telling this well enough – loud enough,
clearly enough.  I have been thinking all day
of the mother grinding donkey feed for her children.
The children foraging for weeds they can eat.
About what it would be to wake not knowing
if you or your children would live to see evening.
I am telling it as I hear it, and still it is not enough.
I cannot describe the stench of the air.
I cannot say what it’s like to walk through corridors of blood.
I am not there.  I am not there.  I sit here
listening, listening. A breeze from the Pacific
sifts through my garden.  My black and white cat
slips through the slats of the fence, fur
scented with the rosemary bush he has walked past
to make his way home.  I have worked, eaten, spoken with friends.
Now I am waiting for words. How is it? How to tell
what it is that is lost?

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 192

They are burying the poets.  This one
assassinated, this one dead of cancer in prison.
They are burying the teachers.  They are burying
the doctors, the nurses, the journalists.
They are burying the geography, the history.
They are burying the memories.  They are burying
the dreams that lived inside the children, 
even those children they haven’t buried.
Reconstitute the world, Adrienne wrote. 
Didn’t they know what they buried were seeds
that will germinate underground, come up 
through the fallen concrete?

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Nora Barrows-Friedman Nora Barrows-Friedman

Day 191

The young man speaks of the beauty of the land.
Fields of wild grasses, hillsides descending into the sea.
The sea the color of the sea at Siracusa, 
where Mariolina and I
floated for hours one summer.   (If she were alive
we would weep together….)
The cities destroyed,
the camps destroyed, the schools and the hospitals.
Yet wildflowers still bloom in the fields, blue and yellow.
The young man is talking about the garden of a friend
who has planted, unfathomably, vegetables, 
as drones pass overhead with their deadly cargo.
If they grow, if we survive until they’re ripe, he
is saying, we’ll eat them.

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